groene kamer

gitta pardoel

ROMANTIC GARDEN

opdracht particulier, kleine tuin 5x5 m

2016

ROMANTIC GARDEN, 2017, with herbs

PARASOL, 2006

GARDEN with KITCHEN GARDEN, 2017

MODERN GARDEN, 2017

SMALL MODERN GARDEN, 2006

zt, 80x80, acrylic and pencil on linen, 2015

private collection

zt, 80x80, acrylic and pencil on linen, 2015

zt, 80x80, acrylic and pencil on linen, 2015

zt, 80x80, acrylic and pencil on linen, 2015

zt, 40x40, acrylic and pencil on linen, 2016

zt, 120x120, acrylic and pencil on linen, 2015

collection MAC'A

zt, 40x40, acrylic and pencil on linen, 2016

zt, 50x50, acrylic and pencil on linen, 2016

zt, 80x80, acrylic and pencil on linen, 2015


FUENTE ALAMO, 2015

Eureka     

ik richt mijn blik omhoog

en wacht op mijn eureka/ verborgen in het landschap/ de ontdekking nabij.

maar nu kijk jij naar het verleden/ zittend in de cirkels/ onder het rond van je parasol,

de dood tastbaar om je heen/ hoewel het water hoorbaar is.

het toerisme van nu zoekt/ plekken van herinnering/ wij zijn van ver gekomen

langs stof en citrusfruit.


WRITING FLOWERS, 2009

What will happen when you have influence the landscape? When the light goes un when you pass? When the flowers not natuaral are but lights?


VERSATILITY, 2010

“Who are we, who is each one of us, if not a combination of experiences, information, books we have read, things imagined? Each life is an encyclopedia, a library, an inventory of objects, a series of styles, and everything can be constantly shuffled and reordered in every way conceivable.”

Italo Cavino, Six memo's for the next millenium

“WATER, LETTERS, GRAVES”, 2006, installation with 12 screens


In a dark space 12 screens are situated on the floor. They are positioned in 3 rows of 4 screens behind each other. You walk along the screens which show films. One film shows a voyage along extended landscapes. Those landscapes change slowly from a mountainous environment to a desert. Two other films show images of water and fountains, which you can find in the Alhambra in Granada. The last screen of the first row, shows two smaller films next to each other. Idyllic white dwellings are filmed from the inside as well as from the outside. In the time the 4 films are playing you hear the sound of breathing and a poem about water. All together form a visual poem.

TABEL AND CHAIR, 2017, wood and moss

PROJECTS 2017


3 WILGEN, 2016

recycled wood, 2016

The latest works from Gitta Pardoel seem to go about furnishing space through raw, recycled material.  She processes the material (wood) to expand the significance of place and to index the ideas, after stripping the material from its decoration.

Ali Rashid

DESEO-TEIRRASECA, installation with 2 screens in opposed position, 2006


In this installation titled ´deseo, tierra seca´ two large projections are in opposed position to each other. They show two landscapes, one with trees, one rural moving in slow motion. You can hear the sound of rain and wind. Slowly two poems about love and death by Garcia Lorca, move along the screen. The poem about love falls like the rain along the screen, the poem about death moves horizontally along the screen. The landscapes are the environment of Lorca´s youth but they deal also with my experience of the place of his death. In my work I try to make something visible of his life and violent death.

HUERTA, installation, 2005, wood, photo’s, print, plastic, Rodalquilar, Spain


Through the years I have seen the landscape changing getting more glasshouses. This is a garden in which words can grow with respect, words about how to get on with nature.

STROOM, installation with 9 screens about the history of the city of Rotterdam

assignment of the Rotterdam Archives



STAPEL, 2017, woodblocks

„Seeing comes before words” zegt John Berger in Ways of Seeing. The child looks and recognizes before it can speak.

……but there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we can explain that world with words but words never can undo the fact that we are surrounded by it”

…….the relation between what we see and what we know is never settled. The way we see things is affected by what we know or what we believe”

PROJECTS 2017

l5,30x20 cm, mixed media on paper, 2014

l1,30x20 cm, mixed media on paper, 2014

l3,30x20 cm, mixed media on paper, 2014

redesign landscape 12,40x40 cm, mixed media on paper, 2011

redesign landscape 2,40x40 cm, mixed media on paper, 2012

redesign landscape 11,40x30 cm, mixed media on paper, 2011

redesign space 9,20x20 cm, mixed media on paper, 2010

redesign space 2, 20x20 cm, mixed media on paper, 2010

redesign space 5, 20x20 cm, mixed media on paper, 2010

redesign space 1, 20x20 cm, mixed media on paper, 2010, private collection

redesign space 3, 20x22 cm, mixed media on paper, 2010

redesign space 4, 20x22 cm, mixed media on paper, 2010

u21,pencil and pen on paper,80X60,2015

u8,pencil and pen on paper,30x20,2015

u7,pencil and pen on paper,30x20,2015

u2,pencil and pen on paper,30x20,2015

u1,pencil and pen on paper,60x40,2015

u5,pencil and pen on paper,30x20,2015

u10,pencil and pen on paper,30x20,2015

u9,pencil and pen on paper,30x20,2015

u7,pencil and pen on paper,30x20,2015

redesign space 13 en 14,20x30 cm, mixed media on paper, 2011

redesign space 13 en 14,20x30 cm, mixed media on paper, 2011

redesign space 11, 20x20 cm, mixed media on paper, 2010, private collection

redesign space 12, 20x20 cm, mixed media on paper, 2010

u,pencil and pen on paper,30x20,2015

time 1, lambda print on aluminium, 50x70, 2006

listen 1 lambda print on aluminium, 50x70, 2006

listen 2 lambda print on aluminium, 50x70, 2006

24 hours 1,2, lambda print on aluminium, 50x70, 2006

trees 3,4, lambda print on aluminium, 50x70, 2006

50x60, lambdaprint on alu, 2011

50x70, lambdaprint on alu, 2014

50x70, lambdaprint on alu, 2014

50x70, lambdaprint on alu, 2014

40x100, lambdaprint on alu, 2014

story 1 100x100, lambdaprint on alu, 2011

D6 lambdaprint on aluminium, 60x120, 2013, collection Movares

D2 lambdaprint on aluminium, 60x120, 2013

With the interactions between body, imagination and environment in the architectural experience, one will eventually gain some memories in every place he or she has visited. As the eye collaborates with the body and the other senses, one’s sense of reality is strengthened and articulated by this interaction of the senses.

Juhani Pallasmaa

time 2 lambda print on aluminium, 50x70, 2006

listen 3 lambda print on aluminium, 50x70, 2006

24 hours 1,2, lambda print on aluminium, 50x70, 2006

trees 1,2, lambda print on aluminium, 50x70, 2006

50x60, lambdaprint on alu, 2011

home 1-5, 50x70, lambdaprint on alu, 2014, 40x100 lambdaprint on alu, 2008

no 3 private collection

waterwerk 1,2,3 50x70, lambdaprint on alu, 2014

50x70, lambdaprint on alu, 2014

50x70, lambdaprint on alu, 2014

story 2 100x100, lambdaprint on alu, 2011

D3 lambdaprint on aluminium, 60x120, 2013

D8 lambdaprint on aluminium, 60x120, 2013

take 1-4, 40x100, lambdaprint on alu, 2014,  


„Seeing comes before words” zegt John Berger in Ways of Seeing.

CANALHOUSE, 2006


with modern material but form, lines and height following the tradition of this city resulted in this clear designed house.

AULA (ism Hans v Oostrum) 2004

with modern material and clear defined form at the two sides of the existing hal, contrast but whole at the same time.

LETTERS, 2006

A poem of a dutch poet of the 18th century ingraved in the wall. When you move you are able to see and read.

iNSTALLATION, 2017


PROPOSAL SQUARE, 2003


CHIROPRACTIC STUDIO

optimal use of this special form of space and the slightly curved facade resulted in the use of different kind of curves.

HAYSTACK, 2004

(ism Hans v Oostrum)

restauration, mmodernization

with new techniques within the old haystack, making it possible to live in this 16th century building.

iNSTALLATION, AT ART IN RED LIGHT, 2007


iNSTALLATION, 2017


STUDENTFLAT, 2006


PROPOSAL SQUARE 1998

MOOI de BALANS tussen het gemaakte, het bedachte en het groeiende, zichzelf vormende.Die balans vinden daar gaat het om. Het groene ontwerpen in de gebouwde omgeving, het bedachte zichtbaar maken in de groene omgeving.

DESIGN

ART

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